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The muhurat of Bhushan Kumar's Kajraare was a very simple and homely affair at Film City, Goregaon. Veteran filmmaker Jony Bakshi sounded the clapper board while Mahesh Bhatt was there to boost the morale of daughter director Pooja Bhatt's team, Creative director Divya Khosla Kumar started the camera while playback singer Tulsi Kumar and music direcotr hero Himesh Reshammiya were discussing the intricacies of the muber she is rendering in Kajraare. Writer Shagufta Rafiq, Monalizza and Ajay Kapoor, Director T Series, made their presence felt. Said Mahaesh Bhatt, " Johny Bakshi had given me my first break years agao. And I did this film to pay him back." Adding Bhatt avered that" Bhushan was a chip off the old block. Kajraare with its music and its strength of story would be a film that will make its mark," he added. Divya Kumar felt that" the film has tremendous potential and the beginning has been made with the muhurat." Director Pooja Bhatt stated,"I wanted to go commercial with a vengeane after Paap and what would be a better combination than a musical with Himesh Reshammiya and Bhushan Kumar's T Series! I have gone commercial with Kajraare, but at the same time, it is definitely a story with a heart.

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 “Let's go for a little ride.”

-Dom, “The Fast and the Furious”

 

With the price of gasoline rocketing (not to mention the cringe-worthy prices of those sleek and shiny sports cars we all dream of owning), it's no wonder that we common people turn to the big screen in hopes of getting our automobile fixes...er, fixed. The recent decade has seen an advance in movies featuring cars in all their glory, the two mentioned here heading the list.

 

The Fast and the Furious takes us into the underground culture of street racing: a world of seasoned drivers, hot babes, and equally erection-inducing automobiles. Set in an urban backdrop amidst the heat of rival gangs, the film uses a crime story as an excuse to display a wide array of juiced-up cars and blitz-crazy racing sequences.

 

The cast was well picked for their particular roles, with the possible exception of Paul Walker, who, as the screenplay goes, really didn’t have to do much acting. The sound track and mixing fits the bill, and gears the viewer for the action sequences. The plot seems reminiscent of many cop flicks— an undercover policeman getting too involved with those he’s investigating and the film throws in a red herring for good measure. It’s a rehash yes, but not an entirely bad attempt of one.

 

Besides the main feature of the movie, anyway, are the cars and the racing. The autos are souped up, flashy from the chassis to their shiny sinews underneath the hood. While some might nitpick on a couple of mechanical elements here and there, the film writers did their research and their consultants know their stuff. Not just for style, the featured cars perform too. Aside from elevating a normal street racing scenes up a notch, the movie also adds a considerable amount of horsepower to their chase sequences. To boot, the stunt drivers and coordinators perform a truck-jacking heist at 100mph seamlessly which deserves a seat in the annals of film history.

 

Overall, it’s fun to watch, if you’re really into cars and looking for a high-paced action flick.

 

Speed Racer has been getting a lot of flak since its opening in May this year. Based on the famous 1960s Japanese cartoon series of the same name, Speed Racer the movie is the Wachowski brothers' take on this racing story.

 

Set in a dizzying world of colors that will never be found in a rainbow, the Racer family featuring Speed goes up against an evil automobile-racing magnate who is determined, in all his purple resplendence, to stop them from winning. It's the classic good vs. bad, the little people vs. the big, greedy conglomerates. Speed sets out to prove that that racing isn't all dirty, aided by the mysterious Racer X, in gravity-defying races that run from landscapes covered in ice to sand-blasted deserts.

 

Most of the negative comments on Speed Racer come from the campiness of the movie, the overwhelmingly blinding set productions and the weaker-than-watered-down-soda storyline. True, the dialogue consisted mostly of bunches of clichés strung together and it was rather painful having to watch Mr. Royalton mumble off that speech on racing, but the plot did have its moments.

 

The races were highly imaginative: CGI employed for all its worth. While fun to watch and thrilling in its own right, there was some confusion as to what exactly what was going on in the race. Despite everything though, Speed Racer earns some points at least for sticking true to its cartoon original. It's a must-watch for those who loved the series, for comparison's sake if not for anything else.

 

 

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M. Night Shyamalan's new movie, "The Happening" seems to be what the people need now. Consumed by dull horror movies, our hope stands with Mr. Shyamalan.

This is more then just a movie, this is a test and that's what makes it so powerful. Mark Wahlberg is one of the favorite actors in Hollywood these days while Night is a great director who has Directorial freedom.

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The Happening is kind of biblical, but it seems like it has more then that in it.

Night, choose and put, Mark as a school teacher for one reason, studying!

Night, feels he is our teacher, as a believer he speaks as a teacher. But then, something big happens, the teacher becomes the student. This is the first mix-up of the story. It is hard to any human being to be the one, he is exactly the opposite of. Mark being a strong and powerful person on and off screen, being in this situation is almost impossible!

My God, Night!
Is it possible that Night, tells us something about God? If God is the teacher, can God become the student or will he become the student? Interesting to watch how it develops in the movie itself.

Mr. Night loves families, here Mark also has a family. There is something very strong in Night's families, although they are broken. In each of his movies, the families were broken but in the end become stronger.

There is no debut that Night believes in family and God and tries to bring them together each time. He is a revel who kicks all the broken families around the planet.

What is the question?
No one, knows what happens, no one have answers. There are only questions, throughout the movie. Mark asks what, why and more and there are no answers.

Again, the teacher, has the questions, the teacher becomes the student! But this time, there are no answers in the horizon. It is pretty scary not to have answers, but it's challenging to seek for them.

Most people need to have straight answers. Yes or No, Black or White, nothing in the middle. But here there are no!

Imagine a situation where I ask someone for his name and he says he doesn't know, how scary is that? Our imagination starts thinking, is this man a loony? we immediately take 2-3 steps back.

Why do you think people are so scared of death? Simply because they don't have a straight answer what will happen to them. Heaven, hell or whatever, they and we still don't have an answer to that mystical question.

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Is the bible True or Not, this is one of the biggest questions that people like to ask. There is no true answer beside belief. Again we go back to Night's head, he loves people who believe or lost their belief. In the end the come to belief.

In Signs, Mel lost his belief in God to gain it back. In Unbreakable Willis learned to believe in the unbelievable. In the Village, a certain belief put people in a Village. The same themes happened in 6th sense and Lady In the Water as Willis learned to believe in the boy, help the boy and belief gave us the Lady inside the water.

So is the Happening going to happened? Well, I guess if you believe in it, it will, if not, it won't…

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An improvement over the previous mess but a good film this does not make. Let’s just say that this film, like much of what Hollywood is putting out lately, is geared towards the brain-dead crowd who wants their action loud and story nil (or gone altogether) and R-rated violence numbed to the PG-13 crowd so that everyone and their grandmother won’t feel offended to go see. I’m offended that groundbreaking Die Hard franchise has been dumbed down to a knock-off of itself with neither the creativity nor the heart of its predecessor.

Let’s just forget that in both the first two films the heart of the film was watching how far John McClane (again Bruce Willis) will go to save the woman he loves not to mention his marriage. Everything he did was geared towards McClane discovering what truly made him both an endearing and fallible hero. He was someone whom the audience felt went through hell in order to reach heaven. Although in the third film the relationship with his wife was numbed down to a couple phone calls and off remarks from secondary characters, you never felt like McClane had any personal stake in what was going on around him and therefore the film became nothing more than a cop film with no heart. Nothing we hadn’t seen before by the countless other Die Hard knock-offs of the ‘90s.

The new film Lie Free or Die Hard is nothing more than action set pieces stitched together in an action movie with little story to tie everything together. I’m not saying there isn’t one; I just saying that other knock-offs have come up with better. In Die Hard 4 McClane is having problems with his daughter Lucy (Mary Elizabeth Winstead, who looks to be in college prompting me to think has twenty years really gone by since the last film?) and to top it off he’s been put in charge of bringing a local hacker (Justin Long) to Washington D.C. for questioning by the FBI. This routine pick up turns into a blood bath of bullets as McClane soon discovers that the hacker may be responsible for helping a terrorist take over the United States via computers. The rest of the film follows McClane and the hacker from one set piece to the next as they try to overthrow the terrorists trying to overthrow the U.S. government. I commend screenwriter Mark Bomback for trying his hand at a patriotic action film similar to what Stallone did with his Rambo films, but those films had a heart and spirit left void here.

Once you get past the first fifteen minutes of set up which is atrociously paced giving the impression of a bad script with even worse acting from everyone involved because everything feels forced, the action set pieces are quite good and excellently handled by director Len Wiseman and his crew. This is not surprising since Wiseman did an excellent job on the Underworld series of films if only he had borrowed those screenwriters for a rewrite. There are several nice moments between McClane and the hacker, whose constantly asks why McClane does what he does, that question the definition of what a hero “is” and what a hero sacrifices in order to become a hero. These scenes are at the heart of the film only by the end of the film there is no payoff for McClane’s character as he never truly realizes what he has sacrificed to become this “All-American Hero” that everyone in the film claims he is.

I’m sure they tried to show this through his relationship with his daughter Lucy, who at the beginning of the film claims her mother’s maiden name, but her scenes are few and far in between and she comes off as a last minute addition to the film as her character truly has nothing to do.

The film also has no problem going against character as the mastermind behind the terrorism Thomas Gabriel (Timothy Olyphant) has no problem forcing his men to kill innocents in order to kill McClane, as the scene in the tunnel plainly shows, but for no reason at all he has problems killing McClane’s daughter, McClane being the man that killed his girlfriend and constantly provokes him to no end. Gabriel should’ve had no problems killing McClane’s daughter and then taunting him to no end but because the film is hampered by so many other things these scenes in the third act are laughable at best.

The film is best played for laughs as that’s all that’s left in the franchise since McClane has now become as bad as Spider-Man with the one liners and retorts. Not once in the entire film do you ever feel McClane is any danger and not once do you find yourself taking anything seriously. We all know it is a film and meant to entertain but how far does the action film genre have to fall before we finally say enough is enough? Where are the original Die Hards or Lethal Weapons or First Blood? Has the well dried so much or does Hollywood just no longer have a backbone? Where has the heart gone?

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Bollywood Pictures

We all know that Hollywood is out of story ideas and is adopting scripts from Asian film hits. For those who may not be well-versed in the international film circuit, the closest encounter they may have had with Bollywood pictures are Hollywood knock-offs such as “The Guru” and the yet to be released “The Love Guru,” both movies tampering with Indian culture with less than flattering representations. But what most people do not know is that Bollywood is a burgeoning film industry with a reputation of producing an impressive number of 1000 feature films a year.

 

History

No, Bollywood is not what you’d expect it to be, as its name suggests. Perhaps the common thing between Hollywood and Bollywood is that they’re both the entertainment capitals of nations that have a huge movie-loving crowd. There is no Beverly Hills counterpart in India or a mountain which displays big, white letters that spell ‘BOLLYWOOD’ to mark the country’s entertainment center. Instead, ‘Bollywood’ is a portmanteau word derived form ‘Bombay’ and ‘Hollywood’ which is used to refer to India’s movie industry.

 

India started making films in 1913 (the first being “Raja Harishchandra” a full-length silent feature film) and by three more decades, 200 Bollywood pictures were being produced in a year!

 

As known by those who enjoy international film sampling once in a while, Bollywood pictures are mostly musicals. It is also known to Bollywood audiences that a film’s success greatly depends on the quality of the musical numbers they present. This means elaborate costumes, a lot of singing, and meticulously choreographed dances.

 

Bollywood overseas

From the traditional musicals, Bollywood has also produced pictures more suited to the taste of an international audience. In 2002, ‘Devdas,’ which stars

Aishwarya Rai , made a great impact at the Cannes Film Festival, causing audiences to take a closer look at Indian cinema. Not long after, Ronnie Screwvala, a prominent Bollywood producer, took Jhumpa Lahiri’s award-winning novel, ‘The Namesake’ into a full-length motion picture. The movie was a commercial success, providing more opportunities for Bollywood movies to have a wider circulation outside of India.

 

All in all, Bollywood’s growth is undeniable. Stars such as Aishwarya Rai have now started crossing over, gaining popularity in the western world. She has started being seen in popular television shows such as 60 Minutes and even the ever popular Oprah Winfrey Show.

The scripts of Bollywood films are commonly in ordinary Hindi or Hindustani which are also spoken by most of the population. However, a number of movies have also used regional languages or dialects depending on the local color of the film setting. Current mainstream Bollywood films also make great use of English. A lot of films have several lines of English incorporated in the script. There is also growing number of Bollywood pictures that are made entirely in English. This is another sign of Bollywood reaching out into the global market.

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Today we live in a world of advanced technology. Science has developed so vastly that there is a smaller and larger version of almost everything. The DVD player is no exception. The smaller versions of it can be carried anywhere. Would you like to find out how to purchase them at discount prices? You can, but you will have to be on your guard when shopping online.

The DVD players are the devices that plays all discs, regardless of whether they are video or audio. Some players are designed to be attached to the television set, but now there are Portable players that come with the screen attached.

Portable players are basically developed to provide the facility to watch DVDs everywhere. They are very practical to use and the user can enjoy the audio CD music anywhere away from the home. But the primary function remains the same, which is playing DVDs.

All portable players have an attached LCD screen which gives high quality picture and sounds every time. These players are little more costlier than that of other players. But don't worry, I am going to show you how you can find reasonably priced portable players online.

On line shopping has now developed into a widely accepted area of buying things at reasonable prices. Expensive technical devices are available all over the internet at discount prices. Many people will purchase these items sometimes without inquiry or investigation. That is a bad idea. There are many legitimate companies who offer discount prices online. However you should always be on the lookout for scams and frauds which happen everyday on the internet.

There are some factors that you should focus on when purchasing a portable DVD player. The dimensions of the player are very important to check out. Some products may not come under a portable category even though they look smaller. Today most DVD players perform the function of a CD player as well. You might want to check the player you are considering, to see if this feature is included.

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